Gammon is to lie, to exaggerate, to joke. Mary is a woman. Any woman is a Mary. All women are Marys. Doubtlessly the first dim white adventurer whimsically called a native woman Mary, and of similar birth must have been many other words in bêche de mer. The white men were all seamen, and so capsize and sing out were introduced into the lingo. One would not tell a Melanesian cook to empty the dish-water, but he would tell him to capsize it. To sing out is to cry loudly, to call out, or merely to speak. Sing-sing is a song. The native Christian does not think of God calling for Adam in the Garden of Eden; in the native’s mind, God sings out for Adam. “Why, that I’ve found my message.”!

After the Polish refugees, came Colmiche, an old man who was credited with having committed frightful misdeeds in ‘93. He lived near the river in the ruins of a pig-sty. The urchins peeped at him through the cracks in the walls and threw stones that fell on his miserable bed, where he lay gasping with catarrh, with long hair, inflamed eyelids, and a tumour as big as his head on one arm. The Minota was honestly built, which is the first essential for any boat that is pounding on a reef. Some idea of what she endured may be gained from the fact that in the first twenty-four hours she parted two anchor-chains and eight hawsers. Our boat’s crew was kept busy diving for the anchors and bending new lines. There were times when she parted the chains reinforced with hawsers. And yet she held together. Tree trunks were brought from ashore and worked under her to save her keel and bilges, but the trunks were gnawed and splintered and the ropes that held them frayed to fragments, and still she pounded and held together. But we were luckier than the Ivanhoe, a big recruiting schooner, which had gone ashore on Malaita several months previously and been promptly rushed by the natives. The captain and crew succeeded in getting away in the whale-boats, and the bushmen and salt-water men looted her clean of everything portable.

But we were more interested in the recesses of Comptroller Bay, where our eyes eagerly sought out the three bights of land and centred on the midmost one, where the gathering twilight showed the dim walls of a valley extending inland. How often we had pored over the chart and centred always on that midmost bight and on the valley it opened—the Valley of Typee. “Taipi” the chart spelled it, and spelled it correctly, but I prefer “Typee,” and I shall always spell it “Typee.” When I was a little boy, I read a book spelled in that manner—Herman Melville’s “Typee”; and many long hours I dreamed over its pages. Nor was it all dreaming. I resolved there and then, mightily, come what would, that when I had gained strength and years, I, too, would voyage to Typee. For the wonder of the world was penetrating to my tiny consciousness—the wonder that was to lead me to many lands, and that leads and never pails. The years passed, but Typee was not forgotten. Returned to San Francisco from a seven months’ cruise in the North Pacific, I decided the time had come. The brig Galilee was sailing for the Marquesas, but her crew was complete and I, who was an able-seaman before the mast and young enough to be overweeningly proud of it, was willing to condescend to ship as cabin-boy in order to make the pilgrimage to Typee. Of course, the Galilee would have sailed from the Marquesas without me, for I was bent on finding another Fayaway and another Kory-Kory. I doubt that the captain read desertion in my eye. Perhaps even the berth of cabin-boy was already filled. At any rate, I did not get it. The Snark was partly built in San Francisco. The morning her iron keel was to be cast was the morning of the great earthquake. Then came anarchy. Six months overdue in the building, I sailed the shell of her to Hawaii to be finished, the engine lashed to the bottom, building materials lashed on deck. Had I remained in San Francisco for completion, I’d still be there. As it was, partly built, she cost four times what she ought to have cost. Also, as a preliminary, we attended a feast, where one Taiara Tamarii, the son of an Hawaiian sailor who deserted from a whaleship, commemorated the death of his Marquesan mother by roasting fourteen whole hogs and inviting in the village. So we came along, welcomed by a native herald, a young girl, who stood on a great rock and chanted the information that the banquet was made perfect by our presence—which information she extended impartially to every arrival. Scarcely were we seated, however, when she changed her tune, while the company manifested intense excitement. Her cries became eager and piercing. From a distance came answering cries, in men’s voices, which blended into a wild, barbaric chant that sounded incredibly savage, smacking of blood and war. Then, through vistas of tropical foliage appeared a procession of savages, naked save for gaudy loin-cloths. They advanced slowly, uttering deep guttural cries of triumph and exaltation. Slung from young saplings carried on their shoulders were mysterious objects of considerable weight, hidden from view by wrappings of green leaves.